Tuesday, July 14, 2009

Document //// out now


My new book is now available here.

"It's easy enough to write poetry that doesn't irritate anybody. It will be liked very much and forgotten the next day. I did not work all my life to caress the human ear by writing pretty poetry. No, on the contrary, I have always managed to upset somebody. My main work is criticising all I think is wrong . . . . . " - Mayakovsky, 1930

Monday, July 13, 2009

Watch Mayakovsky kicking off!

Saturday, July 04, 2009

The Commons 2 // get it free (commercial post)


Download the second part of The Commons from the excellent Openned site. You can still get part one, over here at a secret cupboard in the Bad Press offices.
While you're at it, go over to this place and buy some books.
OK, go out and enjoy the sunshine. Death to the BNP.

Tuesday, June 16, 2009

public service announcement

Friday, June 12, 2009

from a notebook

Wednesday, June 10, 2009

Document //// any minute now


My new book Document is now at the printers and will be available from Barque Press in about a month. Its narrative runs from the London suicide bombers through to Blair's resignation. Around 90 pages, fully illustrated.
PLUS//// I'm reading on the 18th June at the Parasol Unit, 14 Wharf Road, nr Angel, 7pm, with DOMINIC LASH on bass. Free entry, come along, its gonna be great . . . .

Friday, June 05, 2009

College of Negative Poetics


consider these two quotations from 20th century composers:
"I have nothing to say & I'm saying it" (John Cage)
"a statement should be made . . . without saying it" (Duke Ellington)
how do the possibly incompatible worldviews encapsulated in the above relate to the unbridgeable chasm that exists between differing ideas of what is, in the early 21st century, still called poetry? which of the statements is useful for the formulation of revolutionary demands within poetic criticism?
&
for those of you who don't dig jazz / an alternative question:
discuss the possibility that what is still, in some quarters, rather quaintly called the 'avant-garde' in British poetry, is actually the mainstream (answer with reference to Percy Shelley, John Milton, Aphra Behn, the Pearl Poet, John Donne, Mary Wroth, Abiezer Coppe)
&
for those of you who would rather go to the cinema
suggest three alternative uses for the following London landmarks:
(a) the Natwest ATM Machines, Walthamstow High Street
(b) the ZOO
(c) the Poetry Cafe, Covent Garden
answers, not more than 5000 words, to be sent to me at the usual address. sensible responses will be published by yt communication. get on with it.