Tuesday, July 25, 2017

Gods of the Plague


From now on new writing will be going up at my new blog Gods of the Plague.

Thanks and love to everyone for reading all the stuff I've been putting up here for the last decade.



Monday, July 24, 2017

Many Walls (after Miyó Vestrini)


Don’t take your children to the countryside. Don’t teach them hymns, or tell them stuff about clean water. Make them stand in the rain. Talk about torture, talk in cries and groans. Walk with them for days across the starkest of plains. Then they will know how pointless it is to listen to those who would praise the colour of the sky. They will want to go to Hiroshima, to Seveso, to Fallujah and to Grenfell Tower. There they will stare at you and you will fall to the ground, horrified as anyone who has ever really listened to a bird’s song. They will build many walls. They will make small additions to your memories, will tell small stories about the knowledge of those who know they have nothing.

Thursday, July 06, 2017

Landscape with Burning Truck


You are walking through a city-centre wasteland, a constellation of abandoned trucks, and you are worried you may have murdered your closest friend. The astrological consequences will probably be severe: it will be 5 in the morning, there will be sirens. You will have passed some kind of border but you won’t have validated your ticket. There won’t be any tickets. There will be burning wheels. And in the thickets, some kind of long black veil.

we’re lying on the ground and everyone’s dead
obviously don’t include the enormous middle class
theirs the smoke theirs the vast stone sea etc
all murdered by the sun tho. ha. “murdered”
they all folded up inside the inexplicable sun

It is not a constellation and the trucks are not abandoned. You try to remember the first time you listened to the song “Long Black Veil” but all you can do is repeat over and again the phrase ‘I am not from your world and your laws do not apply’. Whose world, you wonder. Cops in Kotti this afternoon. You wander across an imaginary landscape hollering implausible songs. Where there are songs are dance-moves. Where there are dance-moves are diagrams and systems. Inside those systems lines of burning trucks. Not trucks, burning stars. Don’t sing. Kick till you break.

Sunday, July 02, 2017

Landscape

And so you wake up in the morning and say there is someone encircling the city and you don’t know what they want. Something to do with hospitals, with whiskey bars etc. When the sun flashes everything disappears. Mercury in place of salt. The serial number of the knife that will do Theresa May. You open your eyes, everything is the same as it was before - a fatal shift entirely imperceptible. Black trees make thin sounds across the sky. Our collective pain an infra-red means of seeing in the dark, of tracing the constellations of footsteps that keep us fixed inside this place.

and as for those who no longer wish to live
don’t let them head off to quiet places
let them stand there in the middle of the street
let them leap like rats from the wildest bridges
let their ghost scratch our eyes oh contemptible mirth

You try to remember what it was first made you so hate what you still like to call the so-called ‘straight world’. You grew up in the 1980s. Most nights you would dream about the nuclear war. American planes would fly across your town. Every hour, across your small town, huge invisible noises. Planes and missiles. You barely thought about them, but they set up new numbers. Every hour a new sentence was spoken. It would end before our death it would continue long after. Etc. You wore badges, went on demoes. But the noises, you decide, were something else. Long afterwards, you are still making calculations based on the numbers they left in the weirdness of the air. The other half of the firmament, you call them. It was Pasolini’s term for ‘death’. Its ghosts still circle the town. A sheer murderous rock that cannot be murderous because it is not human.

Tuesday, June 27, 2017

In Fear of Memory (after Pasolini)

Of all people it is straights I hate the most. Especially the the old ones - they hold hands, they share their love like some kind of cowardly bond. Decades it lasts, like some kind of comet, some kind of prophecy of a horrific disaster. An illusion, a pact with a devil. Our love, of course, was nothing like that. No blessings, no stupid cryptic reasons. You would hold my heart in your fist. No blood, nothing there at all. No mythology, no sun, no maps of the stars.

I can’t tell what it means. I’m out with friends, I think, and also some kind of apparition, something I can’t quite remember. There is no smile, no frown either. And certainly no disdain. But something is bothering me, and I don’t know what. So hard to believe that once we said we were happy. It's much later now. The night shows no light whatsoever. And no gods to tell such stupid lies.

It was around five in the morning. The wind was blowing through Kottbusser Tor, as if it was a kind of church. No garbage anywhere, which is usually the only thing about by that time. I was talking to a couple of guys. All they wanted was my cash, and though I knew they had no dicks, I was trying too hard to touch their hearts. Then it happened again, someone I vaguely remembered showed up in a car, with a guy holding some kind of knife. I don’t know why I got in, can’t remember, but I guess I must have. I was found in the morning. Recognised by my teeth, what was left of my fingerprints.

There was, deep inside this so-called world, something that had no price. No gold could buy it, no church could sing it, no-one could understand it. It appeared directly in the middle of life, and it meant nothing but itself. For a while I hated it, like everybody else, then all of a sudden it filled my entire reality. I still don’t understand it. What it was. Why it mattered so much, and what is the nature of the hole that is left now that it has gone. But most of all I can’t understand the rage with which we would tear it apart, such hatred against a love so impossible, and so beautifully broken.




Monday, June 26, 2017

On Bomb Scares


And then a bullet replaced all of history. We couldn’t recognise ourselves in it - all of its dates compressed to a phalanx of immaterial noise. And then we ignited, were permanently stained. We had always guessed it would be cities that would fall, but how wrong we were, transformed in our sleep to an alphabet rearranged as a disc of cranial time. You can be this letter, someone said, and I will be that one. The separation was endless. Oh cancelled dreams, let those who know how to sleep close their mouths forever, and remember to never again open their eyes.

Friday, June 16, 2017

In Fever: Notes on Les Chimères de Gerard de Nerval

for Eva Collé

Don’t wait up for me tonight, the sky will be black and white

Yeh I’m in a bad mood as well. Cops are everywhere. But we know that - we murdered them. Lets talk about black stars.  Something stretched strings between them, and now they flutter like chords. Stars, a very bad mood. Pasolini wrote about singing, called it the “divine wind that doesn’t heal but rather makes everything sicker”. This is the fifth day of our fever. Cops make everything unreal. Songs get sung outside their cellular systems, from the centre of some kind of secretive world. Whisper those songs, then scream them. After that, kill all straight men. You know they want it.

Was thinking about that for a while this morning, then I thought about the human world. I’m sick of it as well. Was thinking that murder in the suburbs is the only real expression of the continued need for human love, where everything is turning to ice, yet everything is frozen in gold. When the sun hits the earth it shatters into all human data, calendars of the places music goes when its notes disappear. The same places the dead live, I guess. But this has little to do with what we say when we’re wasted, and everything is flooded with animal light. The human horizon covered in ashes.

A guy walks into the ocean. Kill him. The gesture is futile. He walks out of it again. Won’t shut his mouth, talks for several centuries about the devil and the hunger of screaming birds. Don’t waste your sympathy. The sky is packed with them, terminal birds that screech of all the terrible things that might happen. And behind them, timeless bells transforming all to the metal stains of what has already happened. And behind all of that are stars tracing out the fixed raptures of what ought never to have happened. There is no death anywhere. Our hatred of the rich is entirely justified.

Toward the end of his life Antonin Artaud wrote a poem complaining that no-one ever touched his body. But he seemed to think it was a good thing, that if anyone did then it would split to a million fragments and fill the known sky. Poor Artaud. Little did he know this goes on every night. There are bodies that fragment each dusk, that split into countless wild lenses that fall to earth at dawn and form a strange calendar of imaginary incidents, frozen cities, addictions, etc. What this implies is not utopian. The straight world never touches anything. It’s victims never do anything else.

Because I’m fearful the sky will shatter I would like to turn it to stone, to turn it to seven pebbles, each to mark a day of our fever. As in set fire to cars, put glue in locks, sugar in petrol. Also include bodies. Also include the shock and the curse of our loss. As in recite that curse, until the voice becomes a song, or the word becomes something outside its borders, the barricades we built across this life of great mourning in which the seeds of our hurt would bloom. The fascists who murdered Pasolini are now the owners of the world. Do not mourn or forgive. Shriek one time. Shatter glass.

The thirteenth returns, and everything we once thought inaudible. There is gunshot, there is fire in the suburbs, the fixed stars falling like cops or roses, the darkened rituals of the middle class. We replace them with pinpricks, with new forms of arson, and the dreams of a thousand archers haunting Trafalgar Square. Nothing returns. Our bodies, the names of stars. But nothing is forgotten, everything falls. Thirteen the only number, the sounds of thirteen fevers crackling inside our dreams. There are no dreams. We never sleep. An unknown light in the corner of our room.