Even in Kreuzberg I can smell the burning remnants of Britain. Each morning I’m out here on my balcony, as the sky flashes from red to white to deepest black, as strange patterns of geometrical dust settle across the body of the city. These patterns I think of as a calendar of British incidents, some erased, some imaginary, some appalling. I feel like a crater as I scratch small counter-patterns into them, something equivalent to the stark anger of the circling birds, the swifts and the sparrows that shriek like shattered human things all through the morning, or whatever it is we can call the strange glow of the sky in these peculiar, hijacked days. It’s all so quiet. The shrieking is quiet. The blank statistics of the calendar are quiet. The obsolete sigils scratched onto my window are quiet. Kreuzberg is beautiful in the summer. The sounds from the canal are ever louder, the screeching of invisible time-zones blocking out the shapes of the sun.